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“Reached” by Ally Condie

TEEN LIBRARIAN’S REVIEW:

So I was a big fan of Ally Condie’s debut dystopian romance “Matched” and its action-packed sequel “Crossed.” The Penguin Young Readers group — excellent people, all! — chose to embargo the concluding book, “Reached,” which basically means there were no advanced copies available and I, like the rest of the mortal world, had to wait for its actual publication date. Bah! 😉

“Reached” was released in early November, and it has been a popular success, appearing on many YA bestseller lists. I was STOKED to read “Reached,” as I hoped it would combine the ethereal writing of “Matched” and the breakneck pace of “Crossed.” Alas, while “Reached” is by no means a failure, it is underwhelming and flat. I’m so sorry to write these words, but, for me, “Reached” was plodding and uneventful. I wanted it to be so much more.

SPOILER SPACE, y’all, because that’s how we roll here …

Ok, read on at your own risk, because I need to reveal some details to properly review this novel. As “Reached” begins, Xander is an Official with the Society (but secretly working for the Rising), while Ky is flying directly for the Pilot and Cassia is back sorting for the Society, waiting for the Rising to contact her, and conducting back alley trades with the Archivists. Each of the three main characters narrates his or her own story, so we get lots of insight and various perspectives on the action. The use of multiple narrators is surprisingly effective. The great revelation of “Reached” — maybe the only real revelation of “Reached”?! — lies in the fact that Xander is a remarkably complex, deeply wounded, deeply obligated man, which we may not have discovered without his individual narration.

As it turns out, the Rising has unleashed the Plague on the Cities and Boroughs of the Society. Via some seriously convoluted logic, the Pilot believes that spreading the deadly virus will break the Society’s hold on the population, as the Rising members — all of whom are immunized — will sweep in and provide the cure to a grateful nation. Um, ok, I guess. At first, the Pilot’s plan seems dope, as Society falls with barely a whisper. (I honestly thought of those last lines from TS Eliot’s “Hollow Men,” that “this is the way the world ends, not with a bang but a whimper.”) But then the Plague mutates — and here we are subjected to some incredibly tedious virology discussion — and forms a new version of the virus that not only makes victims still, it actively kills them, regardless of cure or treatment. Even worse for the Rising? The immunization it provided its own members is no protection against the mutation. Only those with a special mark on their necks, who had previously been exposed and survived, are immune, and that’s a very small percentage of the populace (but, of course, it includes Xander and Cassia).

Much of the “action” — and I use that term loosely, because very little in the way of plot occurs — involves the three teens finally joining forces in an outer mountainous community (Endstone, one of the so-called stone villages) to find a cure for the mutation. Leaving aside the highly dubious prospect that the fate of Society would rest with a bunch of teenagers, even this mess is sort of blah. There’s a rad old Society exile named Oker, who is leading the team of scientists, and we briefly — and I mean briefly — see our old pals Eli and Hunter, but mostly it’s Xander, Cassia, and Ky in a race against time. You’d think this might be a compelling setup, but it’s so hollow and dull that I found myself barely caring. Ky quickly falls ill, and there is some small bit of sabotage and danger, but mostly we’re treated to mundane passages about working, sorting, measuring, working, etc. Eh.

What’s so unfortunate is that true moments of beauty and lyricism exist throughout the story, along with some lovely ideas about the relationship between art and community. Author Condie’s descriptions are as lush as ever; nature bursts with colors, scents, and textures, all gorgeously rendered. Cassia creates a gallery on Camas, in which ordinary people — so long deprived of freedom of expression — share sculptures, poems, pictures, and even songs. The vibrancy of this community, and the joyous celebration involved by those participating in it, are so touchingly real. Even Cassia’s growing embrace of poetry remains fresh and alive. We feel the seductive pull of poetry, of words and their purest expression.

Sadly, though, these beautiful passages and scenes only serve to underscore the slow, almost methodical nature of the rest of the story. The search for a new cure meanders, while the expected drama — deaths, love affairs — is muted, often occurring “offscreen.” How are we to react to a death that we don’t even witness? Full props to Condie for her willingness to off major characters, but I so wish that when those lives ended, we readers were allowed more than a passing glance. Moreover, the resolution to the trilogy’s core love triangle is so telegraphed and so devoid of emotion that I had to go back several times and make sure I wasn’t just glossing over some hidden details. I wasn’t. It really was that empty. If not for the development of Xander’s character and the exploration of how his whole life centers on the loneliness of duty, I may well have given up before the novel’s end.

Fans of the first two books in the “Matched” trilogy will undoubtedly rush out and read “Reached,” and I’m certainly not one to dissuade them. Some sections of “Reached” are as achingly lovely as ever, and following Xander’s character is rewarding in its own way. But the larger plot — or lack thereof — and an overall sense of inertia really weigh “Reached” down. Like its predecessors, this one is good for older middle schoolers and up. Who knows, maybe you’ll enjoy it more than I did. I sure hope so!

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Posted by on December 27, 2012 in Uncategorized

 

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“The Truth About Forever” by Sarah Dessen

TEEN LIBRARIAN’S REVIEW:

My boundless love for Sarah Dessen … well, it knows no bounds. 😉 Sarah is my absolute go-to author for pitch perfect depictions of girl friendship, first love, and magical summers. Check out the Sarah Dessen tag below, because I’m a fangirl, y’all, and have read, cherished, and reviewed quite a few of her books. I mentioned in my previous entry that I was beaching it recently, and beach reading basically REQUIRES a healthy dose of Sarah Dessen. Hence, me, sand, the waves, an umbrella (I’m slightly vampiric!), and Sarah’s 2004 gem, “The Truth About Forever.” What a perfect combination.

Teen girl Macy recently (and quite unexpectedly) lost her dad to a fatal heart attack. Older sister Caroline is married and out of the house, mom is an uptight, driven mess, and boyfriend Jason is rigidly focused on his academic future. When Jason heads off to “brain camp” for the summer, Macy finds herself alone with a stack of SAT textbooks and a mind numblingly boring gig at her local library’s reference desk. [Which, no comment!] Macy stumbles upon Wish, a local catering company, at one of her mom’s events. The Wish folks, led by the pregnant and perpetually frazzled mother hen Delia, are a fun, quirky family. Their obvious warmth and affection for each other — as well as their ability to get the job done, even when things inevitably go awry — immediately appeals to Macy. On impulse, she joins the crew and starts working events, despite her mother’s obvious disapproval.

So, yeah, there’s a GUY on the Wish crew. Duh. His name is Wes, and he’s a reformed bad boy who makes these epic angel and heart-in-hand sculptures out of wire, sea glass, and other scavenged materials. He’s deep and dreamy, and you will love him instantly. Trust me. Wes and Macy somehow jump into a continuous game of Truth or Dare, played out over many long nights, in which each slowly reveals details about their lives, hopes, and issues. Basically, they fall for each other without ever really admitting it to themselves. You’ll dig it. Again, trust me! Plus, he creates some art for her. Swoon.

There are, of course, complications. Macy’s mom isn’t too keen on the Wish folks, who also include sci fi nerd (and Wes’ younger brother) Bert; the scarred but completely adorable Kristy; and the mostly monosyllabic Monica. Mom, who buries her grief in a frenzied workload, eventually isolates Macy from the crew, which seemed a bit unrealistic to me. Macy gave up her entire life following her dad’s death, including treasured friendships, teenage silliness, and her most beloved activity, running. You’d think mom would like to see a little sparkle back in her daughter’s life.

Complications also arise between Wes and Macy, as each remains on guard despite their attraction. When Macy spots Wes at a late night hangout with an old flame, she cuts him off and retreats back into her old, lonely ways. But try as she might, now that Macy has rediscovered life, she can’t quite cram herself back into her spare, constricted little world. After a long summer of talks, parties, laughs, and tears, Macy is left with a tough decision: continue to play it safe with Jason and the SATs, or move forward, dive in, and take all the pain that comes with being truly alive.

Sarah is an incredibly beautiful writer, and “The Truth About Forever” is chock full of her usual lyrical passages, quietly heartfelt moments, and loving characterizations. She perfectly captures the heady combination of sky-high joy and crushing fear that accompany falling in love, making us understand exactly why Macy runs from Wes. Sarah slowly, believably pulls Macy along on her journey, nailing that end of the movie, they finally get together moment. It’s so understated and charming that you get the payoff without feeling cheap about it. You know what I mean! Throw in empowering girl friendships and some exquisitely rendered mother-daughter scenes at novel’s end, and “The Truth About Forever” is an absolute winner. Summer or not, you older middle school (and up!) readers will adore this one. In case you’re like me and somehow overlooked “The Truth About Forever,” please get on that now asap. Even though summer is over, there is always a place for a summer book. Happy reading!

PS ~ Cute fan-created book trailer below. Check it out!

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Posted by on September 20, 2012 in Uncategorized

 

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“The Pact” by Jodi Picoult

TEEN LIBRARIAN’S REVIEW:

So I was on vacation at my very favorite beach in the entire world, sitting under an umbrella, listening to the sounds of the waves … and, duh, obviously reading a book. I am a librarian, after all! I read an absolutely fabulous new novel, “Where’d You Go, Bernadette?,” that is clever, insightful, quirky, and weirdly heartwarming. Check it out! Alas, I do not review it here, because it is an adult novel with little YA crossover. [But the narrator is an eighth grader AND I LOVED IT. Hee. That is all.]

Luckily — or unluckily! — for you good people, I also read Jodi Picoult’s 1998 teen-themed novel “The Pact,” and that, my friends, I am all over in the review department. It’s the story of lifelong friends, teenagers, who become a couple because of love, remain a couple because of expectations, and ultimately confront a promise of mutual suicide. Yeah, that’s heavy stuff, and Picoult, for all her many literary talents, does tend to dip into the old melodrama at times. But, overall, “The Pact” is a gripping novel that deftly explores the complex web of family, friendship, love, hatred, and grief. If it’s a little soapy at times, eh, so be it, because when it’s good, it’s seriously, ridiculously good.

Chris Harte and Emily Gold literally grew up together, as we discover in a series of extended flashbacks. Their moms, Gus Harte and Melanie Gold, are best friends and next-door neighbors who are both pregnant at the same time in 1979. [Remember, folks, this book is a little old, but other than a few jarring technological details — Gus has a beeper! — it’s not at all outdated thematically.] While Chris and Emily begin life as instant friends and constant companions, they eventually fall in, out, and sort of back in love again. I know “The Pact” is a book about suicide — and I’ll get to that issue, I promise! — but I felt that aspect of Chris and Emily’s relationship, that pressure to be something together at almost all costs, was so strikingly real. Emily’s crushing disappointment in not living up to that long-ordained love, in loving Chris but not LOVING him, sends her to a dark place. That pain, coupled with buried sexual abuse, an unexpected occurrence, and a crushing bout of prolonged depression, leads her to contemplate not just her own suicide, but Chris’ as well. Indeed, as the book opens, Emily tells Chris, “I love you,” which is followed by this line:

And then there was a shot.

So the kicker here — and there’s really no way to avoid spoiling it, because it happens at jump — is that following the night of the pact, Chris remains very much alive. While he’s suffering from a gaping but hardly life-threatening head wound in the ER, Emily arrives DOA. As the respective families (and friendships) just about disintegrate from pain, rage, and confusion, we start to learn more about Chris, the survivor at the center of this storm. Chris was the stalwart one, the reliable, smart, kind boy who excelled at two things: swimming and loving Emily. When Chris is arrested for Emily’s murder, it’s not too hard for us to believe that while he may not have killed her out of malice, he clearly could have done so from a toxic mix of adoration and perceived loyalty. Chris’ arrest further rips apart his family and the Golds, while also strangely bringing Chris and his distant, repressed father closer together.

Chris is imprisoned for months while awaiting trial. Picoult flashes back and forth from his prison life, filling in more and more details of Emily’s deepening pain and Chris’ ceaseless devotion. While the jail scenes can play out as a bit over the top, Chris’ pervading sense of fear and heartache is nicely conveyed, and the legal wranglings are easily comprehended. We’re ultimately set up for a splashy trial, complete with surprise witnesses and “shocking” testimony. While perceptive readers will likely view Chris’ confession as telegraphed, the details themselves — and his palpable shame and guilt — trump any obviousness. I saw much of this coming and was still utterly shocked by the depth of Chris’ misguided loyalty and sacrifice.

One of our neighboring school districts requires high school students to read “The Pact” over the summer, and I can see why. From a purely cautionary standpoint, it provides lots of useful information about the warning sides of suicide, and it depicts, with incredible emotion, the devastation left behind in the wake of such a death. Chris and Emily’s evolving relationship — complete with all its joys and disappointments — is also incredibly authentic and will likely resonate with many teens. Perhaps best of all, this book is a page turner, y’all. Beach or no beach, I would’ve devoured it in a day. It truly is that engaging.

“The Pact” is out there, so please give it a read if it now seems interesting. I should note that this one is definitely a high school book, as it contains sexuality, language, drinking, etc. If you really like “The Pact,” the Lifetime network created a movie version a few years back. Check out the trailer below. Happy reading! Wouldn’t you like to be back at the beach right about now? Sigh.

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Posted by on September 19, 2012 in Uncategorized

 

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“Between Shades of Gray” by Ruta Sepetys

TEEN LIBRARIAN’S REVIEW:

“In the depth of winter, I finally learned that within me there lay an invincible summer.”
~ Albert Camus

Ruta Sepetys’ “Between Shades of Gray” is one of the most beautiful, evocative pieces of historical fiction I’ve ever encountered, teen or otherwise. It sheds much needed light on a largely hidden moment in history, when Soviet Premier Josef Stalin deported and imprisoned thousands of political prisoners from the Baltic nations of Estonia, Latvia, and Lithuania. These innocent people — men, women, and children — were ripped from their lives, transported like cattle in filthy conditions, only to be beaten, starved, and worked to death at prison camps in remote areas of Siberia. Their only crime? Being deemed a danger to the repressive Soviet regime that had annexed their Baltic nations. Their real crime? Nothing other than being professors, teachers, doctors, army officers, and librarians.

We meet 15 year old Lina on the night in June of 1941 when Soviet NKVD (secret police) officers storm her house in Lithuania, taking her, her mother Elena, and her 10 year old brother Jonas into custody. (Lina’s papa has already disappeared.) Lina’s family has all of 20 minutes to gather their belongings before being herded onto a truck and, eventually, a train, bound for parts unknown. Mind you, they have done nothing wrong. The train car is a true horror: people are packed in with no room for movement and no bathroom facilities other than a hole in the corner of the car. Ona, a woman who has recently given birth, is left bleeding on a plank in the car, her infant daughter dying slowly from starvation. Author Sepetys captures the fear, humiliation, and anger that Lina and her fellow travelers feel, this utterly awful sense of shame and bone-chilling terror at what will happen next.

Eventually, over the course of six weeks, the Lithuanian prisoners make their way to Altai Province, in the southern portion of Siberia. Lina’s family, thin and weak, is thrown into a hut with a brute of a local woman, Ulyushka. Everyone at the Altai camp is forced to work at least 12 hours a day to earn one meager bread ration, which is barely enough to keep a person alive. Lina and Elena are eventually assigned to farm beets and potatoes, while Jonas works with Siberian women making shoes. The mother of the lone teen boy on the trip, Andrius Arvydas (his mother bribed an NKVD guard to have him deemed feeble), is forced into prostitution at the NKVD officers’ barracks. Many nights, the Lithuanians are roused from their sleep at gunpoint and threatened by the sadistic Commander Komorov to sign a “confession” condemning them to 25 years of hard labor. It is a lonely, miserable existence, filled with pain, hunger, and far too much sickness and death.

Lina’s escape from this wretched life lies in her sketches — of Lithuania, Jonas, Mrs. Arvydas, Andrius, her missing papa — and memories of a better life in Lithuania. Lina could be killed for her “treasonous” sketches, which she hides in the lining of her suitcase, but they are a lifeline for her. Many references are made throughout the novel to the works of Norwegian artist Edvard Munch, whose depictions of raw emotional pain are models for Lina’s work. [Click here to see an image of Munch’s most iconic work, The Scream.] Lina is one brave and talented girl.

After nearly a year in Altai, Lina and her family, along with hundreds of Lithuanian and other Baltic peoples, are ferried by train, truck, and ship to Trofimovsk, an absolutely desolate land that lies above the Arctic Circle. Trofimovsk makes Altai seem like a luxury resort. The polar night (continuous darkness) lasts for months on end; dangerously frigid temperatures and continuous blizzards threaten the group’s very survival; starvation, typhus, dysentery, and scurvy are constant killers; and the prisoners’ living conditions — crude, self-built mud huts in a polar region — are subhuman. Without the late appearance of Dr. Samodurov (a real figure, as described here), all the prisoners would have perished during that first miserable winter.

In discussion materials and an author note afterward, Sepetys describes “Between Shades of Gray” as, ultimately, a love story. The Baltic people survived by using love as their sustaining force. I agree. Despite its devastating subject matter, this novel is warm, uplifting, and hopeful. Lina’s love for Elena and Jonas, for her imprisoned father and lost homeland, and, finally, for the strong, kind Andrius, buoys what otherwise may have been a bleak and depressing tale. There is so much life and love in these pages, so much hope and triumph, that it goes a long way in easing some of the pain. The prisoners continue to maintain their national and familial pride — Lina creates patriotic artwork, the Lithuanians celebrate their holidays in the depths of work camp blight, and the homesick and heartbroken share cherished family photographs that were hastily grabbed after arrests — which is beautiful and inspiring. Even small kindnesses, like the Siberian co-worker who saves Jonas from the ravages of scurvy, add to the impression that although we have seen the worst of humanity, the best of humanity still quietly endures. So, yes, love IS the central theme here. And what a necessary message that is for young people to receive.

“Between Shades of Gray” also impressively tempers even its most beastly characters, including some of the heartless NKVD officers, the stoic native Altains, and the “bald man,” an embittered Lithuanian prisoner who constantly criticizes his fellow detainees. Sepetys uses one NKVD officer, the young Nikolai Kretzky, most dramatically to show the withering effect of these atrocities on a basically decent Russian who is “just following orders.” The real villain here, the one never actually seen, is Soviet Premier Josef Stalin, who masterminded the deaths of MILLIONS of innocents. As a stand in, we get all the people who spared themselves but made that devastation possible — Lithuanians who gave information, Soviets who abided by a culture of fear and secrecy, and NKVD officers who channeled their own personal failings into either wholesale prisoner abuse or, at the very least, willful ignorance of the horrors surrounding them.

I absolutely recommend “Between Shades of Gray” to students in upper middle school and higher. This is a difficult book, and I don’t mean to minimize that in any way. There is violence, death, and depravity, but much of it is handled “off screen” and little of it is overwhelming in detail or presentation. As mentioned above, the sum effect of this novel, the feeling you are left with at the end, is one of joy and promise. Please, give “Between Shades of Gray” a try. You will be glad you did.

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Posted by on August 23, 2012 in Uncategorized

 

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“The Age of Miracles” by Karen Thompson Walker

TEEN LIBRARIAN’S REVIEW:

As if being an unpopular sixth grade girl isn’t difficult enough, try adding the slowing of the Earth’s rotation — and all its cataclysmic effects — to the mix. That’s the premise of Karen Thompson Walker’s remarkable debut novel “The Age of Miracles.” While I don’t normally review books written for the adult market, “The Age of Miracles” should appeal to teens, as it is essentially a coming of age tale set against a dystopian backdrop. Although more subtle and literary than novels geared directly toward teens, its subject matter and almost cringe-worthy realism should win over many younger fans.

We meet Julia and her family on an ordinary sunny Saturday morning in California. Except, this particular morning isn’t so ordinary after all, as Julia soon learns that the Earth’s rotation has slowed overnight. The slowing will continue to increase to a point where sunlight — and darkness — will last for long days on end. As the Earth slows even more, vegetation dies, animal life is depleted, strange weather patterns emerge, sunlight becomes toxic, and people begin to suffer from “gravity sickness.” If all this sounds terribly bleak, quite surprisingly, it’s not. These events are all filtered through Julia’s sensibilities, and she presents much of the horror in a stark, matter-of-fact manner. Julia’s almost detached observations place the slowing in the background as a quiet force that is never sentimental, overpowering, or showy. The real drama, interestingly enough, occurs among the human beings.

A conflict erupts between “clock timers” (folks who adhere to the dictates of the clock, regardless of sunlight or darkness) and “real timers” (those people who follow the natural rhythms of sunrise and moonrise, regardless of when they occur). It’s a classic “us against them” struggle, with all the attendant fear outsiders can generate in a trying time. A class schism also erupts, as those with money can afford artificial lawns, personal greenhouses, steel shutters, and sunlight radiation shelters. But none of these are the central source of human tension in “The Age of Miracles.” Instead, it is the family interactions and middle school relationships that form the real heart of this novel.

Here’s what I found most amazing about “The Age of Miracles”: middle school kids can be just as horrible, careless, and insensitive as ever, even when life as they know it has been catastrophically altered. Julia is bullied at the bus stop, dropped by her best friend, used by a popular classmate, and excluded from the birthday balloon tradition at school. She pines away for Seth Moreno, the mysterious skater boy who lost his mother to cancer and is alternately warm and indifferent toward Julia. She worries about her unshaved legs and buying her first bra. She tries to mediate the cold hostility between her philandering father and controlling mother, all while seeking her own small piece of independence. Above all, much of “The Age of Miracles” is about one girl’s overwhelming loneliness, which almost trumps the fact that her entire world is, literally, falling apart around her. And you wondered why I called this a “remarkable” novel? Because it is!

I’ll give nothing else away, because Julia’s story should be savored by the reader. Walker is a beautiful storyteller who uses spare language and quiet emotion to convey Julia’s fears, pain, and small triumphs. There is not one moment here that is artificially rendered. Everything is conveyed with an almost heartbreaking honesty and stillness. Although written for adults, aside from a bit of language, minor drinking, and the themes involved, older teens should do just fine with this novel. “The Age of Miracles” is a stunning, haunting book about growing up. Please go out and read it now.

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Posted by on August 13, 2012 in Uncategorized

 

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“Legend” by Marie Lu

TEEN LIBRARIAN’S REVIEW:

“Legend,” the debut dystopian novel written by Marie Lu, was published last November by the good people at the Penguin Young Readers Group. I’m not entirely sure why it took me ages to get around to reading “Legend” (too many books, too little time?), but I’m so glad I finally did. Although there’s nothing genre busting or terribly unique about “Legend,” it’s a fast-paced, engaging dystopian thriller that will leave most readers breathless for book number two. (Which, Penguin, again, you rock, because I just so happen to have an advanced copy of “Prodigy,” the second novel in the “Legend” trilogy. WOOT!)

We start out in a future version of Los Angeles, where fifteen year old Day, the Republic of America’s most famous outlaw, is on the run with his best friend, shy orphan Tess. Day and Tess have been secretly watching Day’s mom and brothers and are horrified to discover that Republic soldiers have quarantined their house. A deadly plague has been springing up periodically in the Republic — yet only in the slum sections; interesting — and now Day’s little brother Eden has fallen ill. In a desperate bid to steal lifesaving meds for Eden, Day breaks into a Republic hospital, with disastrous results.

Meanwhile, fifteen year old June is one of the Republic’s shining stars. A prodigy with a perfect 1500 on her Trial, June is the top student at prestigious Drake University. June is on the fast track to assume a top position in the military, much like her beloved brother Metias. And then everything falls apart. Stalwart, noble Metias is killed the night of Day’s hospital break in, allegedly by Day’s own hand, but you can smell a government coverup a mile away. Except, June cannot, because she has been so thoroughly indoctrinated by Republic propaganda, and so thoroughly insulated from society’s ravages by her deceased parents’ wealth, that she blindly accepts the Republic version of events. Commander Jameson — in my mind, a meaner version of Captain Janeway from Star Trek: Voyager! — personally recruits June to go undercover as a street person, find Day, and bring him to justice. Needless to say, June is all in, because she can’t wait to exact revenge.

So, of course, undercover June will meet Day-with-an-assumed-name, they’ll fall for each other, their real identities will be revealed, and betrayal / heartbreak / chaos will ensue. Guys, this is a teen novel, and, as I mentioned, we’re not breaking any new ground here. But that’s absolutely okay, because the romance is believable, the government conspiracy is gripping, the secrets are appropriately troubling, and the relentless pace keeps the story moving along quite nicely. Need more? The dual narration makes “Legend” more easily accessible for girl and boy readers, which is always a good thing in my book, and the characters are well crafted. I especially loved all the shadowy Republic figures, like Metias’ oily, conniving friend Thomas and the lethal Trial director Chian. If the Republic is truly an awful, repressive force, then its minions should convey a real sense of danger, which they do in spades here. I’m all about a villain, y’all. 😉

“Legend” also exhibits some surprising emotional depth, which is a bit unexpected — but welcome — in an action-based novel. Day’s longing for his mom and brothers, June’s grief over Metias’ death, and the pair’s affection for the sweet Tess help the story find its humanity and move us from the level of secrets and chases and lies to something a bit more real. Throw in some hardcore sacrifice — ah, the bravery! — and you end up with a thrilling story that wields some real emotional pop. Well done.

“Legend” is out now. Read it, already! And keep an eye out for the sequel in (gulp!) early 2013.

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Posted by on July 2, 2012 in Uncategorized

 

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“Skinny” by Donna Cooner

TEEN LIBRARIAN’S REVIEW:

Donna Cooner’s debut novel, “Skinny,” is a timely, gripping story about an obese girl’s struggle to control her weight and, as importantly, to control the destructive, self-critical voice in her head, which she labels Skinny. It is as good a debut novel as I’ve read in years, and one that ALL teens should find relevant. This is NOT an obesity novel; it’s a beautiful, universal story of learning to accept yourself.

When we meet Ever, she is 15 years old, weighs 302 pounds, and is absolutely miserable. Despite having a loving, supportive father and stepmother and a pretty cool best friend in Rat, Ever is crushingly lonely and angry at just about everyone: her thin, cool stepsister Briella; her seemingly carefree classmates, including crush Jackson and super popular Whitney; her parents; Rat; and, especially, herself. Ever’s entire world is veiled in hatred of herself, her body, and her peers. It’s an exhausting, isolating way to live.

After the most humiliating public experience on record during a school assembly, Ever bravely decides to undergo gastric bypass surgery, despite the very real risks involved. The surgery severely restricts the amount of food and liquid Ever can consume without becoming physically ill, so over the course of one summer, she begins to lose a dramatic amount of weight. Rat is Ever’s cheerleader and coach during this time, carefully charting her weekly weight loss and exercise (and her choices of music ;-)). Unexpectedly, Briella also slowly becomes involved in Ever’s transformation and starts to become actual friends with both Rat and Ever.

When school resumes in the fall — and with the help of a makeover from Whitney, of all people, who takes Ever on as a project — Ever starts to turn heads and gain acceptance from her peers. Ever, who has always kept her singing talents hidden, even decides to try out for the school musical, Cinderella, finally turning toward the spotlight she has continually shunned. But Skinny, the voice that constantly criticizes and demeans Ever, is alive and well, despite Ever’s physical makeover. So when her dream date with Jackson results in something other than a fairy tale ending — leading to a cascade of self hatred — Ever finally realizes that she must start loving the person she is on the inside, lest she never escape Skinny’s grip.

Yes, “love yourself” is a fairly cliched message, but it’s handled here so deftly that you won’t mind. You will absolutely understand the relentless nature of Skinny’s criticism and how thoroughly it corrodes Ever’s sense of herself. Seeing Ever discover a more positive inner voice is incredibly gratifying for us readers. Plus, there’s so much more here: a believable love story, blossoming girl friendships, small and large triumphs, an opening night of Cinderella that had me reaching for tissues again and again … seriously, what’s not to love?

Scholastic is releasing “Skinny” in the fall of 2012. [Thank you for the advanced copy at Book Expo, awesome people of Scholastic!] My friends, please be on the lookout for this remarkable novel. You will not be disappointed. Happy reading!

skinny

 
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Posted by on June 29, 2012 in Uncategorized

 

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